June 22, 2007

My memory is blank





A good quote from perhaps the greatest movie of all time:

"Some people say forgive and forget. Nah, I don't know. I say forget about forgiving and just accept. And... get the hell out of town."
Debi Mayberry, Gross Point Blank. 1997.
My thoughts: People have a tendency to shit on one another, unfortunately it seems to be human nature. We can be very greedy selfish animals. And whilst it is never pleasent to be let down my own personal view is that to allow an unhappy past episode to continue to haunt and sour one's present, and possibly one's future, is a bad, bad way to live. Get over it, move on. Life is far too short and why miss out on the good stuff hear and now if you're still stuck in yesteryear's rut?

And so acceptance of one another weaknesses is perhaps the best approach. It worked for Debbie and Martin.

Alternativly there is the 'bide your time' tactic as demonstrated by Terrance Stamp in Sonderbergh's excellect film The Limey - "Bide your time and everything becomes clear, and you can act accordingly." Find the one who wronged, tell him your feckin' coming and then do him. Or such like.

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June 16, 2007

Making the message count



This is what it's all about. A well placed, thoughtful gesture beats the one-size-fits-all approach every time.

There are some gems on the rest of Marian's site, I think she writes well with humour and intelligence. Stunningingly intricate imagery.

The description she gives of herself is warm, honest and inspiring - a refreshing read. Reminds me of the Howies and Threadless ethos which for me breaks down as this: Work hard at what you enjoy and concentrate on the things that make you happy, everything else will fall into place behind you as long as you've got the courage to 'hold firm'.

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June 13, 2007

Good quote

"The future belongs to those who believe in the beauty of their dreams".
Eleanor Roosevelt

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More thoughts on a life in design

Good points made and useful links to more comments on a subject I wrote about previously. Read what Khoi Vinh of subtraction.com writes here

Big fan of his blog, both in terms of appearence, and more importantly, content.

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June 11, 2007

You want to be a designer?!

I was recently asked by a family friend how one becomes a graphic designer. She is presently an occupational therapist but is considering a career change.
This is what i wrote:

How did you become a designer?
The common route into graphic design as a designer is this:

- One year foundation course. A practical introduction to all the different art and design specialties, eg. fashion, sculpture, illustration, product, interior, etc. It's a good way to ensure that everyone starting a degree course has the same basic set of skills.

- Three year degree course. In my case i chose a graphic design BA hons at University of Northumbria. It was one of the more general/varied courses, had good facilities, very good links to Industry and was a brilliant place to live. On your degree course you develop your own visual language. Some concentrate on letters (typography) some on pictures (photography or illustration) others like me tried a little bit of everything because the art of communicating ideas and messages was more important than the process that they are delivered in.

Plus...(and this is only my view)
- Your first year in Industry is essentially an apprenticeship, you learn what is really required to get the job done. Pay will be low and hours long. Before you are offered a job most graduates are expected to do placement work to see if everyone gets on with one another, very, very low pay (if any) and even longer hours.

What makes a good designer?
Good designers are good problem solvers. They must be able to analyse abstract information and come back with a solution. From a graphics point of view this means listening to what a client wants, researching the project, the client, the competitors and presenting back to the client a logiocal progression of thoughts that should answer the problem at hand.

For example "I want to expand my law firm but people think i am a one man band stuck in the provinces and consequently the clients I want, won't work with me". The design solution here might be to update the law firm's visual identity - starting with the logo and then working outwards across different media, eg stationery, literature, website, office environments. This shows the broad nature of graphics and why it is important that flexible thinking and the ability to work with specialists in different fields is critical.

Good Communication skills (written, verbal, visual) is of course vital and it has by default got to be better than the client's. Beautiful design does not sell itself.

What do you think of it as a job?
I think it is a good career but as with anything creative it is very hard work and you can't switch off from it. You also have to be very thick skinned because every one has an opinion about what you've produced. Some comments are constructive, some are not. Look at the Olympic logo saga as an example. But you need to be able to deal with whatever flies your way.

However I like the fact it is thought of as a 'cool' job and that there are different ways to work and places to work in. To take advantage of this you need to be very proactive.

Of course there are not only designers working in the design world. Project managers liaise between clients and designers to ensure everything runs smoothly. Marketeers have been known to start the ball rolling and then hand over to designers to add some visual styling...whether this is the right or wrong approach is another topic entirely.

A fair assessment?

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June 10, 2007

2012 London Olympics Identity



I like it. Well done to Seb Coe and Wolff Olins for daring to be different.
I think the approach is spot on and i'm pleased that the London Olympics have so far avoided the cutesey character approach.

The good people at Coudal do a good job of summing up why it's a good thing

A few insightful comments at Speak Up as well

Give it time and I think more people will come round to the idea. And they'll start to see it in use and not as a mark in isolation.

The only thing i'd change is the crafting of the individual letters so that 2012 was more distinctive/recognisable. And perhaps 'London' could do with a less tricksy typeface.

Can we stop the logo bashing and put the knives away now?
And move on.

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Greg Girard

Great photos of China here

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